2025 IRCAM 境外國際論壇：台北場
IRCAM Forum Workshops Hors-les-Murs - Taipei
在全球各大城市舉辦之「IRCAM境外國際論壇」（IRCAM Forum Hors-Les-Murs）於2025年首度於台北舉辦，「2025 IRCAM境外國際論壇：台北場」聚焦於三大主題：虛擬實境／延展實境聲響；人工智慧AI與音樂；聲音、音樂、動態互動關係。活動形式包含演說、現場演示、工作坊、裝置作品，廣邀法國「聲響與音樂研究統合中心」（Institute for Research and Coordination in Acoustics/Music, IRCAM）講者與國際之當代聲音、音樂科技專業人士與創作者展開豐富的交流與激盪。
日期｜2025.11.5 (三) - 11.7 (五)
場地｜國立臺灣師範大學進修推廣學院演講堂、臺灣當代文化實驗場（C-LAB）
報名登記與費用詳情（英文網頁）｜
https://forum.ircam.fr/article/detail/registration-fees-ircam-forum-workshops-2025-taipei/
Programs (Updated constantly; detailed time and place to be announced soon)
11.5 WED
Venue: National Taiwan Normal University
Research at IRCAM: Overview of the Academic Research Conducted at IRCAM (STMS lab) by Benoît Alary (speech)
Educational Programs at IRCAM: Overview by Philippe Langlois (speech)
Overview: IRCAM Software of Forum IRCAM by Guillaume Piccarreta (speech)
Interstices of Sound and Light: Weaving Taipei’s Memory through Eight-Channel
Interaction by Yung-Shen HSIAO (National Pingtung University) (speech)
A System Integrating Optical Music Recognition and Real-Time Playback with SCAMP by Jung-Ching CHEN (National Taiwan Normal University) (demonstration)
Workshop: Spatial Audio by Benoît Alary (workshop)
11.6 THU
Venue: National Taiwan Normal University
The Architecture of Sound by Felipe Sánchez Luna (KLING KLANG KLONG) (speech)
AI Music Generation and Therapy by Chih-Fang HUANG (Kainan University) (speech)
Sonic Psychogeography by Jett Ilagan (Taipei National University of the Arts) (speech)
An Exploration of the Expansion of Live Instrumental Performing Forms through Visual Media and Spatial Sound by Ling-Hsuan HUANG (National Taiwan Normal University) (speech)
Low-Latency Inference of Optimised AI-DSP Models for Hard Realtime Deadlines by Christopher Clarke (speech)
Reciter(s): Browser-based Polyphonic Speech Ensemble by Po-Hao CHI (speech)
Guide Tour to C-LAB
11.7 FRI
VENUEL C-LAB
Reverse Engineering 101: Buchla 700 as a Case Study by Kweiwen TSENG (speech)
IRCAM Forum Software for Generating and Immersive Sound Environments by Guillaume Piccarreta (speech)
Broken Garage for Wave Filed Synthesis by Yuko O’Hara (Royal Conservatory of The Hague) (speech)
Synaptic._null by Arcky TANG (installation)
Viral.signal.detector II by Felix Römer (installation)
Wilding AI presents FERAL FREQUENCIES: Large Language Models to Generate
Spatial Sonic Behaviors by Maurice Jones (installation)
Petite Violence: Breath #3 by Gin CHANG (installation)
Chaotic Assemblages: Strange Attractors as Sonic-Spatial Environments by Jan Ove Hennig (installation)
Lenna (2019) by Miyu Hoisoi (installation)
To the Dead Poplar // The the Old Beech Tree by Sam Erpelding (installation)
Reciter(s): Browser-based Polyphonic Speech Ensemble by Po-Hao CHI (installation)
Bytebeat Silicon by Johan Euphrosine (demonstration)
Hallucination in NOVATRON by Deyu ZENG (demonstration)
The Demonstration of BCI Interactive Soundscape Interface for Soundscape
Perception and Composition by Yi-Hsien CHEN (National Sun Yat-sen University) (demonstration)
Liberated Frequencies by Keigo Yoshida (demonstration)
Participants Share the Short Pieces Created During the Workshop on a Multichannel Sound System by Benoît Alary (demonstration: workshop - listening session)
Neural Networks in Audio: Beyond Fancy Filters! – Learn, Build, and Deploy from Scratch by Kweiwen TSENG (workshop)