IRCAM Forum Workshops Hors-les-Murs - Taipei
The IRCAM Forum Hors-Les-Murs, held in major cities around the world, will be held in Taipei for the first time in 2025. IRCAM Forum Workshops 2025 Hors-les-Murs – Taipei focuses on three themes: VR/XR, AI & Music, Sound Music Movement Interaction. The programs include speeches, demonstrations, workshops, and installations, where professional speakers from the Institute for Research and Coordination in Acoustics/Music (IRCAM) and international professionals and creators specializing in contemporary sound and music technology engage in intense exchanges and discussions.
Date｜2025.11.5 (三) - 11.7 (五)
Venues｜
Auditorium, School of Continuing Education, NTNU (National Taiwan Normal University) Extension, C-LAB
Registration & Fee｜
https://forum.ircam.fr/article/detail/registration-fees-ircam-forum-workshops-2025-taipei/
Programs (Updated constantly; detailed time and place to be announced soon)
11.5 WED
Venue: National Taiwan Normal University
Research at IRCAM: Overview of the Academic Research Conducted at IRCAM (STMS lab) by Benoît Alary (speech)
Educational Programs at IRCAM: Overview by Philippe Langlois (speech)
Overview: IRCAM Software of Forum IRCAM by Guillaume Piccarreta (speech)
Interstices of Sound and Light: Weaving Taipei’s Memory through Eight-Channel
Interaction by Yung-Shen HSIAO (National Pingtung University) (speech)
A System Integrating Optical Music Recognition and Real-Time Playback with SCAMP by Jung-Ching CHEN (National Taiwan Normal University) (demonstration)
Workshop: Spatial Audio by Benoît Alary (workshop)
11.6 THU
Venue: National Taiwan Normal University
The Architecture of Sound by Felipe Sánchez Luna (KLING KLANG KLONG) (speech)
AI Music Generation and Therapy by Chih-Fang HUANG (Kainan University) (speech)
Sonic Psychogeography by Jett Ilagan (Taipei National University of the Arts) (speech)
An Exploration of the Expansion of Live Instrumental Performing Forms through Visual Media and Spatial Sound by Ling-Hsuan HUANG (National Taiwan Normal University) (speech)
Low-Latency Inference of Optimised AI-DSP Models for Hard Realtime Deadlines by Christopher Clarke (speech)
Reciter(s): Browser-based Polyphonic Speech Ensemble by Po-Hao CHI (speech)
Guide Tour to C-LAB
11.7 FRI
VENUEL C-LAB
Reverse Engineering 101: Buchla 700 as a Case Study by Kweiwen TSENG (speech)
IRCAM Forum Software for Generating and Immersive Sound Environments by Guillaume Piccarreta (speech)
Broken Garage for Wave Filed Synthesis by Yuko O’Hara (Royal Conservatory of The Hague) (speech)
Synaptic._null by Arcky TANG (installation)
Viral.signal.detector II by Felix Römer (installation)
Wilding AI presents FERAL FREQUENCIES: Large Language Models to Generate
Spatial Sonic Behaviors by Maurice Jones (installation)
Petite Violence: Breath #3 by Gin CHANG (installation)
Chaotic Assemblages: Strange Attractors as Sonic-Spatial Environments by Jan Ove Hennig (installation)
Lenna (2019) by Miyu Hoisoi (installation)
To the Dead Poplar // The the Old Beech Tree by Sam Erpelding (installation)
Reciter(s): Browser-based Polyphonic Speech Ensemble by Po-Hao CHI (installation)
Bytebeat Silicon by Johan Euphrosine (demonstration)
Hallucination in NOVATRON by Deyu ZENG (demonstration)
The Demonstration of BCI Interactive Soundscape Interface for Soundscape
Perception and Composition by Yi-Hsien CHEN (National Sun Yat-sen University) (demonstration)
Liberated Frequencies by Keigo Yoshida (demonstration)
Participants Share the Short Pieces Created During the Workshop on a Multichannel Sound System by Benoît Alary (demonstration: workshop - listening session)
Neural Networks in Audio: Beyond Fancy Filters! – Learn, Build, and Deploy from Scratch by Kweiwen TSENG (workshop)