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Creation/Research Support
A Rehearsal of the Longest-running Script

The project is derived from the artist’s experience of caring for an elderly family member with Parkinson’s disease, which stimulated the artist to consider the relevance between aging and deterioration of bodily functions and to question whether disability is a form of malfunction. Physical and mental decline gradually emerges when individuals with Parkinson’s disease and dementia struggle with time, reflecting the subtle relationships between humans and machines. During the residency in Yokohama, the artist deepened his understanding of how degenerative diseases impact one’s way of living and social role through interviews with healthcare professionals, patients, and caregivers and developed a philosophical reflection on “slowness.” As Taiwan is expected to become an aging society, the project corresponds to a “slow generation” that may become mainstream in the future and attempts to redefine body and time through artistic actions. The artist will focus on conducting interviews and establishing a knowledge system in the early stage of the project and develop a wearable assistive device for slowness in the later stage to highlight the relationships between individuals and assistive devices. The final result of the project will be presented in the form of an exhibition and performance.

From the artist’s point of view, the final presentation is not only a performance but also an invitation, which welcomes everyone to see the values of time, body, and life in a different way. Perhaps, through the gradual process of the withering of life, we could find another way of moving forward.

Visit the artist’s official website at: https://wenhaozheng.cargo.site/

CREATORS

BankART1929 Photo: Tatsuhiko NAKAGAWA

ZHENG Wen-Hao

ZHENG Wen-Hao (b. 1994) was born in Taoyuan and now lives and creates in Bali, Taiwan. He received his master’s degree from the School of Fine Arts, Taipei National University of the Arts. ZHENG pays attention to perceiving and scavenging daily objects, capturing sentiments and personal experiences scattered in quotidian life through collecting and assembling combined with elements of kinetic art, images, and spatial installation in his works. In the meantime, through the arrangement of objects in the air, he arouses viewers’ body perception and opens up diverse approaches of interpretation with his seemingly malfunctioning kinetic aesthetics to sketch out the map of “ZHENG kinetics.” His works have been included in exhibitions, such as the Taipei Art Awards at the Taipei Fine Arts Museum (2022), Refining Is Vapor at Xinban Art Gallery (2022), Suwon International Art Festival at 111CM, Korea (2022), Before the Turbulence at Mizutani Art (2022), and Flying Soil Manufacture at Mi Project (2019), and the work Inverted Fulcrum was collected by the Lihpao Cultural and Arts Foundation in 2020. He has also been awarded the Shih An Art Creation Grant (2022), the Contemporary Sculpture Lihpao Art Award—Special Jury Prize (2021), and the Tainan New Arts Award (2019).