Calendar

{$ videoTitle $}

Creation/Research Support
A Rehearsal of the Longest-running Script

The project is derived from the artist’s experience of caring for and observing an elderly family member, which stimulated the artist to consider the relevance between aging and deterioration of bodily functions and to question whether disability is a form of malfunction. In patients’ processes of resisting against time, their physical and mental functions gradually decline, which reflects the subtle relationships between humans and machines. During the residency in Yokohama in 2025, the artist deepened his understanding of how degenerative diseases impact one’s way of living and social role and developed a philosophical reflection on “slowness” through interviews with healthcare professionals, patients, and caregivers. As Taiwan is expected to become an aging society, the project corresponds to a “slow generation” that may become mainstream in the future, attempting to redefine body and time through artistic actions. The artist will focus on conducting interviews and establishing a knowledge system in the early stage of the project. With the accumulation and collection of others’ life stories, the final result of the project will be presented in the form of an exhibition and performance.

From the artist’s point of view, the final presentation is not only a performance but also an invitation, which welcomes everyone to see the values of time, body, and life in a different way. Perhaps, through the gradual process of the withering of life, we could find another way of moving forward.

Visit the artist’s official website at: https://wenhaozheng.cargo.site/

CREATORS

BankART1929 Photo: Tatsuhiko NAKAGAWA

ZHENG Wen-Hao

ZHENG Wen-Hao (b. 1994) was born in Taoyuan and now lives and creates in Bali, Taiwan. He received his master’s degree from the Department of Fine Arts, Taipei National University of the Arts. ZHENG pays attention to perceiving and scavenging daily objects, capturing sentiments and personal experiences scattered in quotidian life through collecting and assembling combined with elements of kinetic art, images, and spatial installation in his works. In the meantime, through the arrangement of objects in the air, he arouses viewers’ body perception and opens up diverse approaches of interpretation with his seemingly malfunctioning kinetic aesthetics to sketch out the map of “ZHENG kinetics.” His works have been included in exhibitions, such as the Taipei Art Awards at the Taipei Fine Arts Museum (2022), Refining Is Vapor at Xinban Art Gallery (2022), Suwon International Art Festival at 111CM, Korea (2022), Before the Turbulence at Mizutani Art (2022), and Flying Soil Manufacture at Mi Project (2019), and the work Inverted Fulcrum was collected by the Lihpao Cultural and Arts Foundation in 2020. He has also been awarded the Shih An Art Creation Grant (2022), the Contemporary Sculpture Lihpao Art Award—Special Jury Prize (2021), and the Tainan New Arts Award (2019).