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Creation/Research Support
Transnotators: A Research-Oriented Art Project of Notation

Translation, which must be full of conflicts, is often considered impossible. However, by constant translation, one can comprehend the genealogy without presupposition when translating. In fact, “translation” can be—and should be a “practice of art.”

“Transnotators: A Research-Oriented Art Project of Notation” is a research-oriented project which is to investigate various “music score” and the presupposed comprehension of  the genealogy of musical genres. Through transcribing, the artist tries to disturb the existing understanding and further stimulate the impulse of art-making. Musicians such as Chung Yu-Feng and Snow Huang are invited to join the project “Musical Transcriber;” they will work as the transcribers and create new “music scores” with the musical instruments they play (such as Pipa, Huqin, and accordion) in the context of the genealogy of musical genres. Besides music-making, the project will include other researchers, musicians or dancers at each phase of research, analysis, transcription, and presentation.

CREATORS

HSIEH Chieh-Ting

Hsieh Chieh-Ting is a researcher of dance music, a musician and an artist. He has cooperated with musicians such as Ken Ohtake and Toru Hayakawa. His works have been exhibited in Taipei Fine Arts Museum and Galerie im Turm in Berlin. Recently, he has been doing researches in dance music and he is interested in exploring the sense of body, the dynamic of movement and notation in music and dance from the perspective of phenomenology and cultural technology. His writings can be found in Performing Arts Forum, Performing Arts Review, etc. whose academic essays were published at conferences held by organizations such as the International Musicological Society and the International Council for Traditional Music.