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Creation/Research Support
The Wandering Daughters’ Dronecraft

Comprising an artist (LEE Tzu Tung), an anthropologist (LEE Mei-Chun), engineers (PENG Cheng, CHING Fu-Shiang), and an organizer within civic tech (Lulu KENG), our collective—Cyborg Resilience Co-lab—interrogates the expanding frontiers of posthuman warfare. We navigate the liminal spaces where geopolitical conflict is no longer defined by physical borders but diffused into ambiguity—a state that leaves behind not peace, but a Samsara of recursive trauma.

These grey zones represent the new frontlines of cognitive warfare, a tropical miasma of disinformation where the binary of victor and victim collapses into an entangled complicity. In this era of algorithmic governance, where the agency of killing is delegated to soulless machinery and ethical accountability dissolves into the decentralized techno-void, our task becomes a ritual of radical tuning. We strive to compost the weaponized noise—whether born of patriarchal pride or automated violence—to cultivate a resilient frequency of situated truth.

Drawing from the fierce maternal archetypes of tropical epistemologies—from the devouring power of Kali to the generative void of the “Dark Female” (玄牝)—our goal is to perturb the monolithic, AI-recognizable patterns of warfare. We ground this practice in Taiwan, viewing it not merely as a territory, but as the ultimate embodiment of the grey zone: a “queered” geopolitical entity existing in a Bardo state, suspended between life and death, functioning outside the Westphalian norm.

Here, amidst humidity, generational trauma, and instability, we envision our laboratory as the Temple of the Wandering Daughters (姑娘廟). More than a shelter, this temple acts as a processing node for ferrying, devouring, and regenerating the “grey individuals” caught in the algorithmic crossfire. Through rituals of cyborg resilience—re-appropriating war technology, organizing cyborg feminist fight clubs, and hacking narratives via script workshops—we commit to glitching the war genealogy. We function as a maw that digests the soulless military offerings, dismantling the enemy’s logic to fuel our traversal through the grey eternity of the Kalpa (劫).

CREATORS

LEE Tzu Tung

Artist and curator. Founder of the techno-art collaborative collective “Tinyverse NPO” and organizer of numerous political and artistic initiatives. LEE holds a Master of Science from the Massachusetts Institute of Technology (MIT) and a Master of Fine Arts from the School of the Art Institute of Chicago (SAIC). Their work has been exhibited internationally at institutions such as the National Taiwan Museum of Fine Arts, the Taipei Fine Arts Museum, the MIT Museum (US), the University of Lisbon (Portugal), Artscape (Canada), transmediale (Germany), the Philosopher’s Stone Gallery (South Korea), Hyundai Motorstudio (China), the Asymmetry Art Foundation (UK), and the Skövde Art Museum (Sweden).

LEE Mei-Chun

Co-founder of the Cyborg Resilience Co-lab (CRC). A post/anthropologist who navigates the intersections of the digital, data, and cyborg realms. She is a participant and ethnographer of the g0v (gov-zero) civic tech community and the author of The NOBODY Movement. Currently, she serves as an Assistant Research Fellow at the Institute of Ethnology, Academia Sinica.

PENG Cheng

Co-founder of the g0v Digital Resilience Hackathon. Since 2023, PENG has been exploring the intersection of digital resilience and civil defense in Taiwan. Initiated in late 2023, the Digital Resilience Hackathon convenes to take stock of existing measures employed by government digital agencies and civil society organizations, strategizing on how to increase the resilience of Taiwan’s internet infrastructure and critical services.

CHING Fu-Shiang

A drone and Meshtastic engineer, active participants in the open-source community. Formerly a research assistant at the Institute of Information Science, Academia Sinica, CHING has a long-standing commitment to firmware development, IoT communication (LoRa/Mesh), and disaster response technologies.

Lulu KENG

Having traversed multiple disciplines throughout her career, KENG finds that clearly defining her profession has become an elusive task. Over the past decade, her primary domains of activity have been digital human rights, internet freedom, cybersecurity and privacy, and transnational exchange. Prior to venturing into the sphere of digital technology, she navigated the fields of environmental investigation, social movements, indie music, and marketing/public relations campaigns. She excels in transdisciplinary planning and action.