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Creation/Research Support
Waiting ___ : An Art / Action Project on Idle Time

If labor comprises merely the “act of consuming time,” does it still qualify as labor? If time can be neither filled nor accelerated, how do we make sense of this void?

Waiting ___ : An Art / Action Project on Idle Time stems from the 2017-2019 art project Here We Stand, building upon a long-term artistic inquiry into human billboard labor, the state of time, and urban space. Human billboards—workers holding real estate advertisements on the streets—exist simply as appendages to the signs they carry, and the act of passing time becomes the very substance of their labor. At a time when artificial intelligence and automation are rapidly infiltrating people’s quotidian existence, work is being redefined as procedures to be optimized or replaced, making “precarity” a shared condition for the majority. The imagery of human billboards seems to foreshadow a critical state for workers, pointing toward a sense of temporal disorder widely felt in contemporary society.

Located in the city’s prime urban core, C-LAB serves as the base for this project. In addition to field surveys, we will organize workshops and a labor-themed lecture series, so as to develop participatory creative forms that allow diverse workers to engage and interact. Co-organized with “PyroImage,” the workshops invite professionals from various fields who are acutely aware of their own labor conditions to engage in a creative process anchored in collective collaboration.

Through artistic action, can we transmute these lone figures standing beneath billboards and their seemingly idle time into perceivable “leisure,” viz., room for listening, observing, and contemplating? By doing so, this project seeks to initiate a new understanding of labor and community dynamism while exploring the creative potential of “amateurs.”

CREATORS

HO Mu-Yun

With a background in theater, HO Mu-Yun navigates across spaces, media, texts, and people. Moving between diverse disciplines, she develops project-based practices revolving around communities. Currently serving as an Executive Director of the Taipei Art Creators Trade Union, she is grasping the multifaceted nature of artistic and cultural labor while tracing action trajectories through mobile fieldwork. In 2021, she founded the “ExiStone Workgang,” experimenting with urban-rural networks as a creative method. Shuttling between cities and fishing villages, she utilizes artistic actions to connect events with the public.

CHEN Yan-Liang

CHEN Yen-Liang has engaged in multimedia design since his university years, with a professional scope spanning interface design, graphic design, and video editing/post-production. These technical skills have contributed to his shrewd observation, problem-identification ability, rumination, and dialectical thinking. For CHEN, the process is the essence—a philosophy of life where the journey per se holds far greater value than the arrival at the final destination. It’s much like his experience of mountain climbing: He remembers how grueling the trek was but forgets the breathtaking view from the summit... or perhaps his memory is just that terrible?