The Gang-a Tsui Theater has spared no effort to promote actor training and international exchange since its establishment, such as the Hakutobo Butoh Dance Workshop in Japan, the Indonesian Court Dance/Contemporary Dance Workshop, and the Odin Teatret Workshop. We expect to give a sharper focus on the contemporary aesthetics of Liyuan opera, and ergo we propose this exchange project. First of all, we plan to explore new possibilities of Vietnamese traditional art by inviting Ca trù artists to lead workshops and associated lectures in Taiwan. Ca trù is a special form of chant poetry exclusive to Northern Vietnam, which has been included in the UNESCO Intangible Cultural Heritage Lists in 2009 together with Nanguan, a style of traditional Taiwanese music. The significant meanings for the philosophy, religion and literature of the two cultures respectively find vivid expression in these two forms of art. Nurtured by different disciplines, the Gang-a Tsui Theater treats traditional art as its carrier and tries to link itself up with modern theater, insofar as to find new possibilities for contemporary performing arts. To preserve the graceful Liyuan opera that almost disappeared in Taiwan, we will continue exploring the traditional connotations of Liyuan opera by cultivating new members with constant performance. Therefore, we invite three Liyuan opera performers (incl. a “sheng” performer, a “dan” performer, and a musician at the backstage) to Taiwan and offer training courses to the new-generation successors to the Gang-a Tsui Theater. As a theater that embodies the sui genius humanistic profoundness of Taiwan, we expect this project to boost the theater’s strength and highlight its significance.