Contemporary technology improves and popularizes every day in the era of particular demand for pixel resolution. People energetically pursue verisimilitude and reduction degree through saturated colors and higher refresh rate of frames. They even create 3D environments and perception of depth by carrying their visual neurons to extremes. In terms of sound and auditory sense, however, what do we actually long for? Today’s systems (e.g., stereophonic system, surround sound system, multi-channel sound system, 360 VR audio system, and High-Order Ambisonic) have become more accurate in terms of sound positioning and representation. It implies that people have tried to capture the nuances of the relationship between sound and space apart from the demand for sound quality and sampling frequency. As far as I’m concerned, the technology of wave field synthesis elevated the relationship between sound and space to a higher level. My previous works drew much of their inspiration from this system, since they were mainly intended to tackle the relationships between sound and vision as well as between sound and space, hence my attempt to design an improved system from scratch. This project proceeds in three phases, including “production,” “research” and “creation.” I try to continue the discussions about sound and space as well as vision and auditory sense in my sound installations The Resonance of Fragile and Where, and apply the concept of Sound-path developed last year when I was an artist-in-residence and to be presented at the Nuit Blanche Taipei 2019, so as to rethink the mode of listening shaped over the course of contemporary sound representation. Besides, I’m very curious about how people would react to the sound intimacy they experience when it appeals to their auditory sense in a way that transcends all existing interface.